DESERT LOVING IN YOUR EYES ALL THE WAY IF I LISTEN TO YOUR LIES WOULD YOU SAY I´M A MAN WITHOUT CONVICTION I´M A MAN WHO DOESN´T KNOW HOW TO SELL A CONTRADICTION YOU COME AND GO YOU COME AND GO KARMA KARMA KARMA KARMA KARMA CHAMELEON YOU COME AND GO YOU COME AND GO LOVING WOULD BE EASY IF YOUR COLOURS WERE LIKE MY DREAM RED, GOLD AND GREEN RED, GOLD AND GREEN DIDN´T HEAR YOUR WICKED WORDS EVERYDAY AND YOU USED TO BE SO SWEET I HEARD YOU SAY THAT MY LOVE WAS AN ADDICTION WHEN WE CLING OUR LOVE IS STRONG WHEN YOU GO YOU´RE GONE FOREVER YOU STRING ALONG YOU STRING ALONG KARMA KARMA KARMA KARMA KARMA CHAMELEON YOU COME AND GO YOU COME AND GO LOVING WOULD BE EASY IF YOUR COLOURS WERE LIKE MY DREAM RED, GOLD AND GREEN RED, GOLD AND GREEN EVERYDAY IS LIKE SURVIVAL YOU´RE MY LOVER NOT MY RIVAL EVERYDAY IS LIKE SURVIVAL YOU´RE MY LOVER NOT MY RIVAL I´M A MAN WITHOUT CONVICTION I´M A MAN WHO DOESN´T KNOW HOW TO SELL A CONTRADICTION YOU COME AND GO YOU COME AND GO
AMOR ABANDONADO EN TUS OJOS TODO EL TIEMPO SI ESCUCHO TUS MENTIRAS, ¿DIRIAS QUE SOY UN HOMBRE SIN CONVICCIONES? ¿QUE SOY UN HOMBRE QUE NO SABE CÓMO VENDER UNA CONTRADICCIÓN? VIENES Y VAS VIENES Y VAS KARMA KARMA KARMA KARMA KARMA CAMALEÓN VIENES Y VAS VIENES Y VAS AMAR SERÍA FÁCIL SI TUS COLORES FUESEN COMO MIS SUEÑOS ROJO, DORADO Y VERDE ROJO, DORADO Y VERDE NO ESCUCHÉ TUS PALABRAS NECIAS CADA DÍA Y SOLÍAS SER TAN DULCE QUE TE OÍ DECIR QUE MI AMOR ERA UNA ADICCIÓN CUANDO PERMANECEMOS JUNTOS NUESTRO AMOR ES FUERTE CUANDO TE VAS, TE HAS IDO PARA SIEMPRE DECEPCIONAS DECEPCIONAS KARMA KARMA KARMA KARMA KARMA CAMALEÓN VIENES Y VAS VIENES Y VAS AMAR SERÍA FÁCIL SI TUS COLORES FUESEN COMO MIS SUEÑOS ROJO, DORADO Y VERDE ROJO, DORADO Y VERDE CADA DÍA ES COMO SOBREVIVIR ERES MI AMANTE, NO MI RIVAL CADA DÍA ES COMO SOBREVIVIR ERES MI AMANTE, NO MI RIVAL SOY UN HOMBRE SIN CONVICCIONES SOY UN HOMBRE QUE NO SABE CÓMO VENDER UNA CONTRADICCIÓN VIENES Y VAS VIENES Y VAS
Mother doesn't know where love has gone, she says it must be youth that keeps us feeling strong. See it in her face that's turned to ice, and when she smiles she shows the lines of sacrifice. And now I know what they're saying as our sun begins to fade, and we made our love on wasteland and through the barricades.
Father made my history, he fought for what he thought would set us somehow free. They taught me what to say in school, I learned it off by heart but now that's torn in two. And now I know what they're saying in the music of the parade, and we made our love on wasteland and through the barricades.
Born on different sides of life, but we feel the same and feel all of this strife, so come to me when I'm asleep and we'll cross the line and danceupon the streets. And now I know what they're saying as the drums begin to fade, and we made our love on wasteland and through the barricades.
Oh, turn around and I'll be there, well there's a scar right through my heart but I'll bare itagain. Oh, I thought we were the human race but we were just anotherborderline case, and the stars reach down and tell us that there's always oneescape. Oh, I don't know where love has gone, and in this troubled land desperation keeps us strong. Friday's child is full of soul, with nothing left to lose there's everything to go. And now I know what they're saying, it's a terrible beauty we've made, so we make our love on wasteland and through the barricades. And now I know what they're saying as our hearts go to theirgraves, and we made our love on wasteland and through the barricades.
Sweet dreams are made of this Who am I to disagree? I travel the world and the seven seas Everybody's looking for something
Some of them want to use you Some of them want to get used by you Some of them want to abuse you Some of them want to be abused
(Hey...) (Ah-ha-oh...)
Sweet dreams are made of this Who am I to disagree? I travel the world and the seven seas Everybody's looking for something
(Ooh...) ha... (Oh...)
Hold your head up Keep your head up (movin' on) Hold your head up (movin' on) Keep your head up (groovin' on) Hold your head up (movin' on) Keep your head up (groovin' on) Hold your head up (movin' on) Keep your head up
Some of them want to use you Some of them want to get used by you Some of them want to abuse you Some of them want to be abused
(Ooh...) ha... (Oh...)
Sweet dreams are made of this Who am I to disagree? I travel the world and the seven seas (oh...) Everybody's looking for something
Sweet dreams are made of this (woah...) Who am I to disagree? (oh...) I travel the world and the seven seas Everybody's looking for something (oh...)
Sweet dreams are made of this Who am I to disagree? I travel the world and the seven seas (eh, eh, eh) Everybody's looking for something
Sweet dreams are made of this Who am I to disagree? I travel the world and the seven seas Everybody's looking for something
I get up in the evening and I ain't got nothing to say I come home in the morning I go to bed feeling the same way I ain't nothing but tired Man I'm just tired and bored with myself Hey there baby, I could use just a little help
You can't start a fire You can't start a fire without a spark This gun's for hire even if we're just dancing in the dark
Message keeps getting clearer radio's on and I'm moving 'round the place I check my look in the mirror I wanna change my clothes, my hair, my face Man I ain't getting nowhere I'm just living in a dump like this There's something happening somewhere baby I just know that there is
You can't start a fire you can't start a fire without a spark This gun's for hire even if we're just dancing in the dark
You sit around getting older there's a joke here somewhere and it's on me I'll shake this world off my shoulders come on baby this laugh's on me
Stay on the streets of this town and they'll be carving you up alright They say you gotta stay hungry hey baby I'm just about starving tonight I'm dying for some action I'm sick of sitting 'round here trying to write this book I need a love reaction come on now baby gimme just one look
You can't start a fire sitting 'round crying over a broken heart This gun's for hire Even if we're just dancing in the dark You can't start a fire worrying about your little world falling apart This gun's for hire Even if we're just dancing in the dark Even if we're just dancing in the dark Even if we're just dancing in the dark Even if we're just dancing in the dark Hey baby
The last that ever she saw him Carried away by a moonlight shadow He passed on worried and warning Carried away by a moonlight shadow. Lost in a riddle that saturday night Far away on the other side. He was caught in the middle of a desperate fight And she couldn't find how to push through
The trees that whisper in the evening Carried away by a moonlight shadow Sing a song of sorrow and grieving Carried away by a moonlight shadow All she saw was a silhouette of a gun Far away on the other side. He was shot six times by a man on the run And she couldn't find how to push through
I stay I pray I see you in heaven far away
I stay I pray I see you in heaven far away
Four AM in the morning Carried away by a moonlight shadow I watched your vision forming Carried away by a moonlight shadow Star was light in a silvery night Far away on the other side Will you come to talk to me this night But she couldn't find how to push through
I stay, I pray, I see you in heaven far away. I stay, I pray, I see you in heaven one day. Four AM in the morning... I stay, I pray, I see you in heaven far away. I stay, I pray, I see you in heaven one day
Far away on the other side.
Caught in the middle of a hundred and five The night was heavy but the air was alive She couldn't find how to push through
Carried away by a moonlight shadow Carried away by a moonlight shadow Far away on the other side.
Henry Purcell es considerado el mejor compositor inglés de todos los tiempos.
Singers: James Bowman (Countertenor). Michael Chance (Countertenor). The King's Concert.
Sound the trumpet, sound the trumpet, sound the trumpet! Sound, sound, sound the trumpet till around You make the list'ning shores rebound. On the sprightly hautboy play All the instruments of joy That skillful numbers can employ, To celebrate the glories of this day.
El argumento trata la relación entre Marin Marais (1656-1728), violagambista y compositor de la corte francesa de Luis XIV, y el que fuera su maestro, el Señor de Sainte-Colombe, un personaje enigmático del que sabemos poco, apenas algunas líneas de referencia en documentos de la época.
El instrumento que aparece es una viola de gamba. Es interpretado por Jordi Savall.
Improvisación sobre la folía.
En la película podemos ver en esta escena cómo era la dirección orquestal barroca, en este caso en manos de Lully, a quien interpreta Gérard Depardieu.
Luis de Milán (antes de 1500 - después de 1561), fué un compositor y vihuelista español del Renacimiento. Es conocido por ser el primer compositor que publicó música para vihuela, y uno de los primeros en dar instrucciones para marcar el tempo en la música.
Milán publicó tres obras a lo largo de su vida, todas ellas en Valencia. De ellas sólo la segunda contiene música: * Libro de Motes de damas y cavalleros, intitulado El juego de mandar , en 1535. * El Maestro (1536). * El Cortesano, en 1561. Inspirado en la obra del mismo nombre de Baltasar de Castiglione. Aporta detalles valiosos sobre la vida cotidiana en la corte de Valencia y sobre la propia práctica musical de Milán.
El Maestro: "Libro de música de vihuela de mano intitulado El Maestro", también conocido simplemente como El Maestro, es un libro de piezas para vihuela sola y vihuela y canto, publicado en 1536, en Valencia.
Intérprete: Capella Reial de Catalunya - Jordi Savall. Imágenes: Ciudad de Ávila (España).
Miguel de Fuenllana (Madrid, 1500 - Valladolid, 1579), vihuelista y compositor español del Renacimiento. Ciego de nacimiento, es autor del "Libro de música para vihuela intitulado Orphénica Lyra", (Sevilla, 1554), también conocido simplemente por "Orphénica Lyra", dedicado a Felipe II. Se trata de un libro de música para vihuela, y que constituye la mayor colección de música para ése instrumento, de todas las existentes.
Intérpretes: - Carlos Mena (Contratenor).
- Juan Carlos Rivera (Vihuela).
Imágenes: Jardines de Aranjuez (Madrid - España).
Letra:
De los álamos vengo, madre; de ver como los menea el aire, de los álamos de Sevilla, de ver a mi linda amiga. (Anónimo)
Lyrics: Bomba, bomba y agua fuera, Vayan los cargos al mar, que nos vamos a anegar, do remedio no se espera.
Al escota, socorred, Vosotros id al timón, ¡Qué espacio! ¡Corred, corred! ¿No veis nuestra perdición?
Esas gúmenas cortad porque se amaine la vela, Hacia acá contrapesad, Oh, que la nave se asuela, mandad calafetear que quizá dará remedio, Ya no hay tiempo ni lugar, que la nao se abre por medio,
¿Qué haremos? ¿Qué haremos?
Si aprovechara nadar, Oh, que está tan bravo el mar, que todos pereceremos.
Santa Virgen de Loreto, Sant Ginés, socorrednos, Que me ahogo, santo Dios, Sant Elmo, santo bendito, Oh Virgen de Guadalupe, nuestra maldad no te ocupe, Señora de Montserrate,
Señora de Montserrate, Oid, señora y gran rescate.
Oh gran socorro y bonanza, Nave viene en que escapemos, Allegad, que perecemos, Socorred, no haya tardanza, Socorred, Socorred.
No sea un punto detenido, señores, ese batel, ese batel, ese batel.
Oh, qué ventura he tenido, pues que pude entrar en él.
Gratias agamus, Domino, Deo nostro, Dignum et justum est, De tan grande beneficio, Recebido en este día, Cantemos con alegría, Todos hoy por su servicio.
Ea, ea, sus, empecemos, Empieza tú, Gil Pizarra, A tañer con tu guitarra, Y nosotros te ayudaremos, Esperad que esté templada, Tiemplala bien, hi de ruin.
Oh, cómo está destemplada, Acaba, maldito, ya.
Es porde mas, Sube, sube un poco más.
Muy bien está.
Ande, pues, nuestro apellido, el tañer con el cantar, concordes en alabar, a Jesús recién nacido.
Bendito el que ha venido, a librarnos de agonía, Bendito sea este día, que nació el contentamiento, Remedió su advenimiento, mil enojos.
Benditos sean los ojos, que con piedad nos miraron, y benditos, que así amansaron tal fortuna.
No quede congoja alguna, demos prisa al navegar, Poys o vento nos ha de llevar, Garrido es el vendaval, el vendaval, Contra fortuna.
Gritad, gritad todos a una gritad, Bonanza, bonanza, Salvamento, salvamento.
Gala es todo a nadie hoy duela, La gala chinela, Gala es todo a nadie hoy duela, La gala chinela, De la china gala la gala chinela, Mucho prometemos en tormenta fiera, mas luego ofrecemos infinita cera, De la china gala la gala chinela.
Adiós, señores A la vela.
Nam si pericula sunt in mari, pericula sunt in terra, et pericula, in falsis fratribus.
Can she excuse my wrongs with Virtue's cloak? Shall I call her good when she proves unkind? Are those clear fires which vanish into smoke? Must I praise the leaves where no fruit I find? No, no; where shadows do for bodies stand, That may'st be abus'd if thy sight be dim.
Cold love is like to words written on sand, Or to bubbles which on the water swim. Wilt thou be thus abused still, Seeing that she will right thee never? If thou canst not o'ercome her will, Thy love will be thus fruitless ever.
Was I so base, that I might not aspire Unto those high joys which she holds from me? As they are high, so high is my desire, If she this deny, what can granted be? If she will yield to that which reason is, It is reason's will that love should be just.
Dear, make me happy still by granting this, Or cut off delays if that I die must. Better a thousand times to die Than for to love thus still tormented: Dear, but remember it was I Who for thy sake did die contented.
O magnum mysterium et admirabile sacramentum, ut animalia viderent Dominum natum jacentem in praesepio. O beata Virgo, cujus viscera meruerunt portare Dominum Jesum Christum. Alleluia!
O great mystery, and wonderful sacrament, that the animals should see the new-born Lord lying in a manger. Blessed is the Virgin whose womb was worthy to bear Christ the Lord. Alleluia
O Gran Misterio, y Maravilloso Sacramento, Que los animales hayan visto Al Señor recién nacido yacer en un pesebre. Alabada seas, o Virgen, pues tu Vientre mereció llevar a Jesús Cristo, nuestro Señor, ¡Aleluya!
English composer, Thomas Morley, was a staunch proponent of Italian music. He used his treatise, A Plaine and Easie Introduction to Musicke (1594) to extol the virtues of newer Italian composers and their techniques.
Morley was obviously taken with a collection of balletti by Mantuan composer, Giovanni Gastoldi, published in 1591. He borrowed tunes from and modeled Sing We and Chant It directly after Gastoldi's balletto, A Lieta Vita (To Happy Life).
Though set to voices, the Italian balletto was designed to be danced to at either courtly ceremonies or theatrical entertainments; hence, its bright and playful rhythmic qualities. It is unclear whether the English adaptations were also meant for choreographic use. Nevertheless, they retain the flavor of their Italian prototypes.
The "fa-la-la" refrains are typical of the form -- inviting imagination -- as are the homophonic settings; the repeating stanzas, strophically set to music; and the lighthearted nature of the text.
Sing we and chant it, while love doth grant it, Fa-la-la... Not long youth lasteth, and old age hasteth; Now is best leisure to take our pleasure. Fa-la-la...
All things invite us now to delight us, Fa-la-la... Hence, care, be packing, no mirth be lacking; Let spare no treasure to live in pleasure. Fa-la-la...
English composer, Thomas Morley, chose mainly to compose lighter forms of music. A more serious type of vocal music was the madrigal. This seriousness was reflected in the type of poetry chosen and the manner in which it was set to music.
While Morley rarely delved into the world of the ultra-serious, his madrigal, April is in my Mistress' face, is a remarkable example of his concisely elegant and refined style.
In the text, one month from each season of the year is used metaphorically to describe the characteristics of the poet's "mistress." The text is a translation of Nel vis'ha un vago Aprile, composed by Orazio Vecchi from his Book of Canzonets à 6, though Morley did not use Vecchi's music.
The turn from sweet, tertian duets used for April and July to minor, melancholic subdominant and mediant harmonies for September and "cold" December is an effective means of depicting the dual-faceted nature of the lady in the poem, and perhaps of love itself.
April is in my Mistress' face, And July in her eyes hath place. Within her bosom is September, But in her heart, a cold December.
Abril está en la cara de mi señora Y Julio en sus ojos tenía lugar dentro de su pecho es Septiembre pero en su corazòn, un frío Diciembre.
Hoy comamos y bevamos, y cantemos y holguemos, que mañana ayunaremos.
Por honra de San Antruejo parémonos hoy bien anchos. Embutamos estos panchos, recalquemos el pellejo: que costumbre es de concejo que todos hoy nos hartemos, que mañana ayunaremos.
Honremos a tan buen santo porque en hambre nos acorra; comamos a calca porra, que mañana hay gran quebranto, Comamos, bevamos tanto hasta que nos reventemos, que mañana ayunaremos.
Beve Bras, más tu Beneito. Beva Pedruelo y Lloriente, Beve tú primeramente; quitarnos has desse preito, En bever bien me deleito: daca, daca, beveremos, que mañana ayunaremos.
Tomemos hoy gasajado, que mañana vien la muerte; bevamos, comamos, huerte, vámonos carra el ganado. No perderemos bocado, que comiendo nos iremos, y mañana ayunaremos.
TRANSLATION:
Today let us eat and let us drink, Let us sing and let us rejoice, For tomorrow we will fast.
In honour of St. Carnival Let us today loosen our belts, Let us fill up our stomachs Let us strecht the skin of our bellies: It is a local custom That today we should be replete For tomorrow we will fast.
Let us honour then a saint so good So that he may assuage our hunger; Let us eat and let us gaily gorge, For tomorrow there will be great restraint. Let us eat and drink so much That it will finally make us burst For tomorrow we will fast.
Drink then, Bras, and you more, Beneito. Drink Pedruelo and you Lloriente. And you drink first; Let us all agree. To drink for me is a great delight; Give here, let us drink, For tomorrow we will fast.
Le us take pleasure today, For tomorrow comes death; Let us drink, let us eat heartily, And then let us return to our flock. Let us not lose a mouthful, For we will go off eating, And tomorrow we will fast.
